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Croatian to English: Zemlja Detailed field: Art, Arts & Crafts, Painting
Source text - Croatian Ta sklonost očituje se i u ovom malom ciklusu od šest „ulja“nastalih 1995. i 1998.godine. Filozofski, sociološki, ekološki stavovi, svijest o jednakosti u problemima, jedinstvu entiteta, o pripadnosti prirodi, zemlji, razrađena i temeljitije obrađena njegovim ciklusom „Kalevala“ i likovnim projektima poput „Zemlje“, ovim radovima nastalim i znakovitih godina, dobila je zamah, odredila ga kao autora izrazito ekološki osviještenog, svjesnog naše pripadnosti. Ne mogavši pobjeći od samosvojne umjetničke sudbine, podastire pred nas sudbinu zemaljskog, ljudskog, tjera nas da „gledajući“ shvatimo, rekapituliramo stare spoznaje-što smo, gdje smo i gdje se po smrti vraćamo. “Zemljani“ smo, tkivo fragilna kostura, zemljom nastajemo, u zemlji nestajemo, njoj se vraćamo. Otkrivajući svoja afektivna i emocionalna stanja snažno apelira na povezanost prirode (zemlje) i čovjeka, ukazujući na destruktivnost u ekološkom i humanističkom smislu, likovnim sredstvima govori o čovjeku rastrganom etičkim dvojbama. Ova izložba prezentira radove čiju ikonografiju „čitamo“ kao reakciju na globalne događaje, ekološku neosviještenost, otkriva njegovu ishodišnu preokupaciju - uzajamni odnos prirode i čovjeka. Slika postaje globalna metafora, simbolički predstavljena realnost vezana uz čovjekovo izvorno iskustvo. Platna postaju simboličke projekcije čovjeka i svijeta, mjesto općih metafora, svojevrsne memorije tijela, ogoljene kosturalne forme. Oblici koje naziremo, koje je moguće „isčitati“, omaterijalizirani su nanosima boje, njenom protežnosti, sučeljavanjem ekspresivnog naboja, sukobljavanju osnovnih elementarnih oblika, tj. formi. Tijekom likovnog procesa, nastajanja slike Stojanovski afirmira forme poput kvadrata, kruga, trokuta, ovala koji utjelovljuju osnovne arhetipske elemente.
Ikonografiji znakova, tj. arhetipskih elemenata autor se utječe i senzibiliziranom kontroliranom gestom, transparentnim prigušenim koloritom reduciranim gotovo na osnovne (ne)boje. Gesti suprotstavlja, bolje rečeno kontrapunktira geometrijske oblike anticipirajući njihovom nazočnošću etičke i estetičke postulate, teze o kozmogonijskom, kozmičkom, osnovnom, božanskom.
Translation - English The six-oil cyclette from 1995 and 1998 also exhibits such inclination. His philosphycal, sociological and ecological arguments, awareness of equality in problems and unity of identity, attachment to nature and the earth, thoroughly elaborated in The Kalevala Cycle and painting projects like The Earth, works created in significant years, have gained impetus defining him as an author who is extremely ecologically conscious and aware of the sense of our belonging. Not being able to flee his authentic destiny of an artist, he gives us the destiny of the world, humanity; making us understand by seeing, recap our outdated epistemology of who we are, where we are and where we come back after death. We are Earthlings, some tissue with fragile bones, of our Gaia, off to Hades. Revealing his true affective and emotional states he strongly appeals to the bond between nature (the earth) and the humans, thus fingering at ecological and humanitistic self-destructivity; his brush and palette speak of a human torn by moral angst. Exhibited works' iconography reads reaction to worldwide events, the ecologically impaired, discovering his primary preoccupation – the bond between nature and humans. A visual representation becomes global metaphor, symbolically showing reality tied to primal experience of humankind. A canvas becomes symbolical projection of humans and the world, inhabited with common metaphors, a kind of body memory, bare skeleton. Discernible forms, readable, materialize in brush strokes, its stretchability, opposing expressive urges, clash of basic, elementary shapes, i.e. forms. In the artistic process of creation, Stojanovski upholds shapes like square, circle, triangle, elipses that embody basic archetypal elements.
Moreover, the author meanders to iconography of sign, i.e. archetypal elements, through controlled perceptive gesture, transparent subdued coloration reduced to primary (non-) colours. Gesture is confronted, rather counterpointed by geometrical shapes whose presence anticipates ethical and aesthetical principles, hypotheses on cosmogonic, cosmic, primal, and divine.
Croatian to English: ACHIEVEMENTS IN RURAL TOURISM SECTOR IN CROATIA Detailed field: Tourism & Travel
Source text - Croatian ...U svrhu sprečavanja negativnih učinaka koje sa sobom nosi masovni turizam, stvoren je novi koncept održivog razvoja turizma i nazvan je ekoturizam. On bitno umanjuje rizik eksploatacije turistički atraktivnih područja, ali uz obavezu poštivanja određenih limita, čije prekoračenje umanjuje planetarnu i oosbitu kvalitetu življenja.
Ekoturizam je svako ono putovanje koje za cilj ima zaštitu svijeta prirode i podržava dobrobit kulture koja taj svijet nastanjuje. Kad turista prihvaća lokalnu kulturu i prilagođava se lokalnim običajima tada i sam doživljava unutarnju promjenu.
Ekoturizam je novi način provođenja godišnjeg odmora, ali i stav, način ponašanja i etika. On nam otvara mogućnost da živimo u miru s prirofdom i da je u izravnom kontaktu bolje razumijemo. On je način života na putu stjecanja novih navika i načina razmišljanaj koji čine život kvalitetnijim.
Prema autorima Travis i Ceballos-Lascurain (FNNE Report 1993) ekoturizam je
putovanje i posjet krajevima s relativno očuvanom ili netaknutom prirodom uz odgovornost putnika prema okolišu kojim se potiče očuvanje prirodnih ili kulturnih vrednota, a na okoliš utječe u najmanjoj mogućoj mjeri, uz aktivno uključivanje lokalnog stanovništva tako da domaćini mogu uživati u plodovima društveno-ekonomske koristi.
Za usporedbu, održivi turizam isti autori definiraju kao "svi oblici razvoja, upravljanja i djelatnosti vezanih uz turizam koji omogućuju dug život kulturnoj djelatnosti koju nazivamo turizmom, što uključuju niz turističkih proizvoda koji su usklađeni sa stalnim održavanjem zaštićenih resursa – prirodne, kulturne ili izgrađene baštine, čime se omogućuje razvoj turizma"...
Translation - English ...The new concept of sustainable development of tourism named ecotourism has been created in order to prevent negative effects of mass tourism. It considerably decreases the risk of exploitation of touristy areas by imposing an obligation of respecting certain limits whose violation decreases global and personal qualitiy of life.
Ecotourisam is every journey aiming at protection of the world of nature and supports the welfare of the culture that inhabits that world. When a tourist accepts local culture and adapts to local customs they experience a change of their inner self.
Ecotourism is a new way of spending a holiday, but it is also an attitude, behaviour and ethics. It opens a possibility of living in peace with nature and its better understanding as well. It is a lifestyle of gaining new habits and modes of thinking that make life better.
According to Travis and Ceballos-Lascurain (FNNE Report 1993) ecotourism is travelling and visiting new places of relatively preserved or intact nature with the travellers’ responsibility towards the environment which encourages the protection of nature and culture while affecting the environment in the least possible way and engaging local population so that they can gain social-economic profit. In comparison, the same authors define sustainable tourism as ‘all forms of development, management and activities related to tourism that give a long life to the cultural activity we call tourism, and include a range of tourist products that comply with the preservance of the protected resources – natural, cultural or constructed heritage that enables the development of tourism’...
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