GLOSSARY ENTRY (DERIVED FROM QUESTION BELOW) | ||||||
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09:33 Oct 16, 2013 |
French to English translations [PRO] Photography/Imaging (& Graphic Arts) / Visual identity, signage | |||||||
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| Selected response from: B D Finch France Local time: 00:49 | ||||||
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Summary of answers provided | ||||
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4 +3 | support |
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support Explanation: The support is the material used as the base for the sign, decoration etc. e.g. the support of a sign might be metal or polycarbonate; the support of an oil painting is often a canvas. www.slideshare.net/SandraHaro/quick-reference-ipi-media-sto... 6 May 2011 - 3vival of photographs, films, audio and video to distill and present, .... the objective, if it must be logger designed explicitly for preservation use calledavailable on the market. ..... decay as acetate photo-The choice of support materials sometimes ... www.story2023.com/ 9 Oct 2013 - Jung is a passionate entrepreneur with an eye for design. ... Photo by Roman Tschäppeler ..... The choice of support was generally decided afterwards by a media agency that received the .... -------------------------------------------------- Note added at 17 mins (2013-10-16 09:51:06 GMT) -------------------------------------------------- http://www.haring.com/!/selected_writing/ disegno-e-colore-the-reconciliation-of-two-rivals-in-the-art-of-keith-haring " In both versions Haring used the same technique. He chose a negative-like process, in which the lines were replaced by “empty areas” through which the white support (vellum-paper) appeared. He let the raw surface appear as the fine white lines defining the black areas. ... In contrast with other artists, for whom the choice of support depended more on technical than aesthetic considerations, Haring changed his preferred support in 1982 for commercial reasons. The immediate cause was his first one-man exhibition in Tony Shafrazi’s New York gallery, for which he needed transportable and saleable art pieces: “Now until this time I had … only ever done drawings, but for the exhibition I wanted to paint a pair of large pictures something I had always resisted until then. The reason was my aversion to canvas. What always bothered me about canvas was this feeling that it already appeared to represent a certain value before it had been even touched." |
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